The front cover of Keith Richards on Keith Richards features a photograph of the great man taken circa 1990. In one of his gnarled hands a burnt-down cigarette smoulders perilously close to the knuckles, its silver fumes mingling seamlessly with the mushroom cloud of his hairdo. On the middle finger of the same hand reposes the skull ring he started wearing in the 1970s as a memento mori – his lone concession so far to the concept of death. The middle finger of his other hand is raised directly at the camera. But the veteran eyes twinkle, as if to assure you that he flips you off out of love.
Keith is not averse to playing up to his fried image, or down to it, so that his persona has become a parody of a parody. He shambles, he croaks, he looks like Wile E. Coyote after an accident with some gunpowder. But Keith is an unusual star in many respects, and one of them is that he gets more interesting when you listen to him, not less. He is at his most engaging on the page, where his words are not obliged to pass through his ravaged face ... [read more]